Advanced Typography | Task 2 : Key Artwork & Collateral
Advance Typography GCD 61004
WEEK 01 - WEEK 07 (06.02.2024 - 19.03.2024)
NAME: Chai Wei Yi
I.D: 0369561
COURSE: Intercultural Design / Bachelor of Design (Honors) in Creative Media
GROUP: Class 01 Sec 01
Advance Typography -
Lecture 05 : AdTypo_5_Perception & Organisation
Perception in typography deals with the visual navigation and interpretation of the reader via contrast, form and organisation of the content.
Contrast / Size This involves using varying sizes to draw focus. For instance, a larger letter next to a smaller one will naturally attract the eye to the larger first.
Contrast / Weight Weight refers to the use of bold type to stand out against lighter, thinner type. This method can also include the use of graphical elements like lines or blocks to create areas of visual emphasis.
Contrast / Form This contrast is the differentiation between various forms of letters, such as uppercase vs. lowercase, roman vs. italic, or condensed vs. expanded typefaces.
Contrast / Structure This refers to differences in typeface styles, such as between a monoline sans serif and a traditional serif, or between an italic and a blackletter typeface.
Contrast / Texture Texture in typography is achieved by combining contrasts in size, weight, form, and structure within a text block. It affects how type appears both up close and from a distance.
Contrast / Direction Directional contrast is introduced by using vertical, horizontal, and angled text elements. Altering the orientation of a single word or block can significantly impact the layout.
Contrast / Color Color contrast involves using different hues to create less dramatic effects than black and white but can significantly enhance visual interest.
Form in Typography Form
In typography relates to the overall appearance and impact of the typographic elements. Effective typographic form is visually appealing, guides the reader’s eye, engages the mind, and leaves a lasting impression.
Gestalt Principles in Typographic Organization
Gestalt theory underlines that the total visual experience is more significant than its parts. In typography, this means considering how individual elements work together to form a cohesive whole.
- Law of Similarity
- Law of Proximity
- Law of Closure
- Law of Continuation
- Law of Symmetry
- Law of Simplicity (Praganz)
Law of Closure
Law of Prägnanz (Simplicity)
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| Figure 2.2 First version of logo |
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| Figure 2.3 Details for first version |
Digitization
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| Figure 2.4 Digitization of First Version |
| Figure 2.5 Final version of digitization |
Black wordmark on white background
Wordmark on lightest shade of color palette
Wordmark in lightest shade on dark shade of color palette
Self portrait
Final Key Art (Color against the lightest background)
Final Selected Color Palette
General Feedback:
General Feedback:
General Feedback:
In "The Vignelli Canon," the concept of semantics in design is elaborated with the following key points:
Deep Exploration of Meaning:Investigate and understand the underlying essence and purpose of the subject matter to be designed.
Detailed Information Gathering:
- Company: Research the history, values, and objectives of the company.
- Product: Understand the features, benefits, and unique aspects of the product.
- Market Position: Analyze the subject's position within the competitive landscape.
- Composition: Look into the materials, technologies, and methods used in the creation of the product.
- Intended Use: Consider how and why the product will be used by consumers.
- Target Audience: Identify and understand the needs, preferences, and behaviors of the end-users.
Creating Connections: Design should bridge the gap between the intent of the creator and the perception of the user, ensuring that it communicates effectively and resonates with the audience, thus enhancing both practical utility and emotional engagement.




















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